Archive for Photography business

Before I get into the six myths about starting a frame service, let me tell you that I have observed photographers who are letting thousands of dollars a year in additional revenue walk out their door by not offering some level of a framing service.

I have heard all of the myths, excuses, or fears and I can assure you that they are easy to overcome.

“I can’t afford it.”

Many of the frame corner samples and mat corners can be free and you need less than $100 in tools to get started.

Your first frame sale should pay for the cost of the Photographer’s Complete Framing Guide and you will continue to profit every sale you make for as long as you are in business.

“I don’t have time.”

You already have the customer in your studio! It costs you nothing to market to them as a framing client. The time you spend will result in additional sales with only a little more effort.

“I hate math.”

Math is not my favorite thing either. But I have five tips that should help you.

  1. I make sure I am not hungry before I start. I have learned that I get impatient and make more mistakes when I am due for some fuel.
  2. I make sure that I am not frustrated with something or someone else.
  3. I make sure that I have uninterrupted time.
  4. I tell myself that I can do math. Positive thinking gets me a lot further than negative.
  5. I double check my figures. If I am in doubt or too tired to think clearly, I simply come back to it another time.

“I am not perfect.”

Well, goodness sakes neither am I! I do not even consider myself a perfectionist, but I have my clients fooled.

It simply takes a few right tools and a little knowledge to produce a beautifully framed portrait.

Custom matting is often cut by hand so it is never perfect. It must be good, it must be neat, but it will not be perfect. You can, however, order your mats pre-cut from your frame vendor if you decide not to tackle cutting mats yourself.

“I can’t sell.”

I have been inviting my clients to look at frames for more than twenty years and have made it easy for you to get started in my manual available today. I share exactly what I say and when I say it to successfully plant the seeds for a sale. You will not feel like you are selling.

“I don’t have the space.”

You don’t need a lot of dedicated sales space. You can start with a small selection of frame corner samples in a box, drawer or on the wall. You don’t even have to carry any inventory. What could be an easier way to add thousands of dollars to your income?

I will show you the fast and easy steps you can take right now! Get the Photographer’s Complete Framing Guide now. It is available as an instant download so you can get started right away. Find out more right now and be making more money next week.

Categories : Framing
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May
11

Connecting the dots

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I have been reviewing my E-Myth Mastery Impact course materials and I have been getting some dots connected! It is kind of the chicken and the egg thing.

How do you develop a positioning strategy when you are cloudy about who your customers are? How do you get customers when you don’t know how to position your studio in the market place?

This will make a great topic of discussion in this month’s F2.8 Protégé Club teleseminar. Join me! Your business depends on it.

Categories : Notes from Barb
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May
04

Smaller goals might help

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I have discovered that making smaller goals that I can see the progress on is more helpful than concentrating on the goal for the entire year.

Yes, I need to know what my business needs to make each year, each month, each day, and each hour to stay in business. But I found I am personally more motivated by tangible items.

I decided to give myself a bonus. I set a small dollar figure of something I want to buy for myself personally, not for the studio. I wrote that item and cost of it on the top of a sheet of paper. Then I started calling clients. I am half way to my goal in a week with just ten to twelve calls.

Once I am on a roll, I can continue to the next small goal!

How about you? What goals have you set and how are you going to reach them?

Categories : Notes from Barb
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There are more choices for finding a photographer these days so help your callers out. Help them get through the uncomfortable moments of opening a conversation they may not know how to do.

Last week I shared an experience I had as being a new customer myself that helped me understand what it must be like for a new person calling a studio for the first time. You can read that here:

http://barbgordonphotocoach.com/business/customer/five-tips-for-understanding-your-new-prospects

Even though they may start with the question of how much you charge, it is not necessarily the question they are really asking.

The salesman in the horse feed booth at the fair could have helped me out by asking some fact finding questions to get me talking. Since I did not know how to start shopping for new horse feed, I needed some help but I was unable to verbalize that at the time.

The salesman could have asked me questions like:

  • What kind of horses do you have?
  • How many do you have?
  • Are they varied in ages and jobs that they do? As there are different feeds based on the amount of physical energy they exert.
  • What are you currently feeding them and how is that working?

All of these conversation starters would have been more helpful to me.

So as a photographer your conversation starter questions for a new prospect can be very similar. But first, ask permission not to answer their question right away with a statement like: “I would be happy to answer that question [about pricing] for you. Before I do, may I ask you a few questions first to get an idea of what you are looking for?”

  • How many people are in your family?
  • What are the ages of your children?
  • Do you have a family hobby? Something that we could use to tell a story about you as a group?
  • Do you have a location or style in mind?
  • Where are you going to display your portrait? (This question also sets you up for planting seeds of a wall portrait sale.)

All of this discussion delays the “how much is it” question. You have time to build some rapport and get to know your prospects needs without focusing on the cost first.  They will quickly find out how much you care about them too. You will also get the information you need to more accurately answer their pricing question, which, as you are discovering, really isn’t the real question anyway.

In order to get the prospect to move from a being caller to an actual booking, I offer a consultation in the studio. This is a low pressure invitation for more information so they may discover that I am indeed the photographer for them. At the consultation we look at images, discuss clothing options, and pricing. Personally, if someone does not want to invest an hour of their time to take this step, they are not a good customer for me and I let them go.

© 2012 Barb Gordon Photo Coach | Gordon Photography & Gallery, Inc.

Categories : Customer, Pricing, Sales Tips
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It can be very difficult to see our business from the customer’s perspective. After all, we know our business so well we take so much for granted. Or maybe, you are new to business and are still struggling with some of the common problems.

This past weekend I had an experience that might help you see your customers from their perspective. And once you see your customers from a fresh perspective, your frustrations with challenges can melt away.

This particular challenge is how do your first time callers feel and what might we do better to convert them into a customer?

Here’s a recent experience I had that might be a good example for you to get an idea how a prospect might feel. I was at a large horse fair trying to learn more about what feed to use for my horses. (I have only had horses three years and still find feeding them properly is complicated.)

I stopped at a booth that I thought would be the answer. I found myself tongue tied at how to start the conversation. (This is where a good salesperson or representative could have been a great help.) I was so unsure what to ask first that I almost left the booth.

Tip one: some prospects will not try very hard to get information.

The real question in my heart that I could not verbalize was, “How do I find out about horse feeding options and more importantly, is this the right feed for my horses?”

That is when it hit me! So that’s how our prospects might feel when they call our studios! They do not know how to say, “how do I select a photographer and are you the right photographer for me?”

So naturally our prospects start with “how much does it cost?” This question right out of the shoot makes most of us cringe. Most of us are unprepared on how to handle this smoothly.

We all know that cost is really irreverent when it is a product we want or need (within reason of course). Look at all the money you spend on your hobby. Answering the question of cost does not have to be the first topic addressed.

Tip two: help your prospect get the information they really need.

I was not going to start the process of learning about horse feed by asking the price first. Not only is that not my mindset, it would not tell me what I really needed to know. Your customers could be the same way.

So I, the introvert, struggled and felt weird until the other man in the booth, the nutritionist, took over the conversation from the untrained salesman who did not know how to interact with new people.

Tip three: learn how to interact with new people especially if they are more introverted and need a little help expressing themselves. Be careful who you put on the phone when new prospects call for information. An untrained person can loose many sales for you.

Once the nutritionist was helping me, things went great. He was friendly, an expert, and only looked at me while he talked. He did not try to get to the next person in the booth until he felt that I was completely done and understood on his product.

Tip four: pay attention to your prospect and listen carefully. You will have plenty of time to make suggestions and influence the sale later.

It made more sense for me to purchase feed in my local area. The nutritionist made sure I knew where to go and what type of feed I needed to get. He gave me his card in case I had any additional questions.

Tip five: be helpful and invite them to continue the conversation later if necessary.

So, next we need to talk about how you specifically apply this experience to your studio. We’ll talk about that next week, come join me. Meanwhile, I encourage you to pay  closer attention to interactions you have while you shop and see what you can learn.

(c) 2012 Barb Gordon Photo Coach

 

 

 

Categories : Customer
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Moulding that is light weight and moveable gives a background a seamless transition from a painted background to the floor.

I actually won this prop! I have used it more than I thought I would. It works great when I want to use the hard wood floor or if my background is too short to cover the floor.

Since my studio is white with white moulding, this dark brown moulding gives me a totally different look.

The moulding I won came with brackets and magnets to stand it up but mine balances just fine. As long as the children are not too active, you don’t want it falling on them!

Just fold the canvas under and back, pull it as smooth as you can and bring it as close as possible to touch the moulding and it can look just like a wall.

Sorry, I can not tell you what company it came from. I just went and checked the back and it was not marked. But really, go to the local home store and buy an eight foot piece of big moulding and paint it or stain it any way you want. Do a few colors of wood. It is a fast way to change your look.

You don’t have to worry that you might not be a good painter or wood stainer. This moulding is not the focus of the photograph, the child is. You may shoot at a wider f-stop and not have the background in focus anyway so don’t be a perfectionist with your staining. Just get it done and get to photographing!

© 2012 Barb Gordon Photo Coach

Categories : Props
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Apr
20

Spring is so fun!

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I have spotted the most gorgeous male pheasant near our house. I have seen him a couple of times. My husband, the hunter, told me that they are more colorful in the spring. I am glad I keep a camera in the car! I stopped on the road to grab this shot. All I had time for was to put it on program, lower the window, and shoot. It isn’t tack sharp so I should go on foot one day and see if I can get closer.

Do you have a favorite spring time photo subject?

Categories : Notes from Barb
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Apr
06

How to Put Your Logo on Your Images

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I am not a Photoshop expert or guru but I can help you with this one! Like many things in Photoshop, there is more than one way to do this but here is one way.

Make your copyright mark difficult enough that most people will not want to spend time taking out your logo in Photoshop.

If you can use a Gif format, that is perfect for the web. A Gif format is less likely to be reprinted as the quality is great for the web but it is not good for printing.

If you are interested in more information about copyright and trademarking, please join Professional Photographers of America, www.PPA.com as they are the premier association for professional photographers.

  1. Open the image you want to put a logo on in Photoshop
  • Make a duplicate of the image (in case you make a mistake you are not working with your original file.)
  • If the image is going on the web, resize it smaller so it uploads fast, won’t look too good if someone prints it, but looks fine on the web. I use about 3×5 at 72 dpi.
  • I have made an action in Photoshop for resizing my images since I do this often.
  1. Type your name or studio name.
  • Select the Type Tool and type your studio name in black in your desired font.
  • The layers palate will automatically put the text in. You can see in photo #1 that my top layer says © www.GordonPhotography.Biz

 

  1. With the rectangle tool, draw a box the shape of your letters.
  • This layer should be underneath your type layer.
  • If you need to resize it, Cont T will bring up the handles to let you resize it.
  1. Change the color of your box by clicking in the box that is colored in the layers palette.
  • You can see in photo #2 mine is white already. (It is the second layer and it is called shape 1.) Select white which is color #ffffff and hit OK.
  • Also make sure that this box color layer is the layer in between your text and image

 

  1. Reduce the opacity of the Shape Layer to around 45%.
  2. Then save as a jpeg or gif for use on the web.

You can also use a logo on a transparent background on a layer above your image layer. Mine looks like this. This logo, however, would be easy to crop out of the picture so it may not be a good choice for the web.

Your image is now ready to load on to the web!

Another great idea: Save your logo overlay separately in layers as pdf in case you wish to make changes. Make an action to open your saved web logo fast. Having this action will keep you from having to start all over each time you wish to mark a photograph.

Categories : Photographing
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Apr
06

Claim your Work!

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There are so many people sharing images online these days. In many cases, the images are not particularly valuable. But if you do good work, especially if you own a studio, you may want to consider “signing” your images before putting them on the web. Not only should you be recognized and get the credit, this may help to discourage people from borrowing your images for their own use.

You also need to be aware that some dishonest photographers will use other people’s images on their websites and brochures claiming them as their own. Putting your logo on your images should help eliminate this problem.

Legally, each image is copyrighted by the photographer the minute the photograph is taken. Unfortunately you have very little legal muscle unless you actually register your images.

This week’s feature article will show you one way to mark your images to give you some protection from stealing.

Categories : Notes from Barb
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Mar
30

Another Milestone in my Career

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I was one of eleven professional photographers who earned the Business Impact Zone Degree (BIZ) from Professional Photographers of Iowa (PPI) at this year’s PPI Winter Convention.

Earning the BIZ degree involves a four day training class and the submission of a business plan.

PPI is the first and only state offering a business program such as this.

Iowa photographer Aletha Speaker, also a 2012 BIZ degree recipient, is responsible for getting this business program into action. The program has also been supported by four sponsors: American Color Imaging, Christian Photo, Colormaster Inc., and JB Frames & Design.

Categories : Notes from Barb
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